Thursday, August 27, 2020

Waleed Allohaibi Essays (946 words) - Architecture,

Waleed Allohaibi 11 May 2017 Old style Greek Architectures versus Medieval Gothic Architectures Taking a gander at the plan of various structures all through the world, one may not understand the excellence of the craftsmanship in every one of them or the goals on which they were built. For instance the old style Greek time, 480 BCE - 330 BCE that held the beliefs of request, parity, and God like flawlessness. This kind of visionary engineering is found in the Parthenon sanctuary worked in 447-432 BCE (Ancient-Greece.org). The sanctuary is worked in tribute for the Goddess Athena, Goddess of war and knowledge. It is a post and lintel structure with segments molded in Greek Doric style. There are likewise the delightful houses of God worked during the Middle Ages in gothic style that give society understanding into the way of life of that age. The engineering of these occasions were vigorously affected by religion and Christianity and intended to hoist the soul of man toward God (Apollo Group, Inc., 2016). One case of this time is the building configuration is the Amiens Cathedr al. Initially implicit 1152 BCE yet was demolished by fire; remaking began in 1220 CE and was finished in 1245 CE (United Nations Educational, Scientific, and Cultural Organization, 2016). In the plan of this house of God it is apparent that the engineer is impacted by the Christian religion, from the three entrances speaking to the trinity and the center passage enhanced with a sculpture of Christ, it was worked as a position of love. These surprising structures, each a bit of workmanship, are both worked with divine goals, remain as a conspicuous difference to one another, impacted by the way of life of the age. Albeit both exemplary Greek and gothic structures are worked to characterize the standards and convictions of their age and have contrasts, the great Greek engineering of request and parity has impacted and are utilized inside the gothic medieval developments. There are contrasts between the formal and expressive qualities of the great Greek engineering and the gothic desi gn of the medieval age. Exemplary Greek engineering is made of stone laying on stone with only weight holding them together. This is best exemplified in Greek sanctuaries, for example, the Parthenon. The Parthenon is a post and lintel structure, worked of limestone and marble, which were the basic structure materials of that age (Sporre, 2015). Utilizing these kinds of materials constrained the designer's utilization of room. All together for the structure to remain without the rooftop falling numerous sections were expected to hold the rooftop up. These sections, known as Doric segments due to their style, were made of marble and the weight of the stone rooftop laying on them held them together. The Parthenon was with numerous delightful states, from the metopes that are a progression of cut boards framing the Doric frieze recounting accounts of the history and skirmishes of the Gods, to the transcending sculpture of the Goddess Athena for which it was constructed. The Parthenon an d other Greek sanctuaries were intended to be venerated from the outside as a focal point of the city, a landmark to the Gods of that age. Gothic engineering, in contrast to exemplary Greek, utilized stone brick work. By utilizing stone brick work they had the option to make curves and redistributed the weight of the stones empowering the structures to be fabricated taller. They likewise made what is known as a brace and utilized this to hold up dividers and curves as support. Gothic engineering was viewed as ethereal and concentrated on the utilization of room (Sporre, 2015). A wonderful case of gothic engineering was the Amiens Cathedral. Transcending into the sky, with solid curves, balanced lines, and elaborate workmanship, this house of prayer was a show piece for the city in which it was fabricated and oozed otherworldliness. These houses of God were intended to motivate one to look toward the sky with incredibly high roofs and fancy stain glass window put deliberately toward the rooftop makes one look upward. Like exemplary Greek sanctuary, they were enhanced with excellent sculptures. Be that as it may, the states were of the Christian Saints, and different strict imagery. The Amiens Cathedral was implied as spot to enter and revere, just like all house of God of the medieval time. Despite the fact that there are contrasts between these two styles of design,

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